新进女职员：出差

身体不适的老板民圭被员工嘉恩照顾，嘉恩将自己的工作转交给后来的接班人秀爱，同时和部门经理炳镇一起寻..

乐高悟空小侠

家喻户晓的神话人物孙悟空将会在这一部动画系列剧中化身为“齐小天”，一个着迷于《西游记》古老传说的少年，他梦想着能成为和孙悟空一样伟大的神话英雄。一个偶然的机会，他在山顶发现了金箍棒——很久以前，为了将牛魔王永久封禁在山中，孙悟空曾把它插在山顶作为封印。由于金箍棒被拔出而封印解除，牛魔王得以重返人间作恶，而齐小天必须踏上一段充满艰难险阻的征程，在与恶魔的战斗中重新塑造自我，成为新一代神话英雄。

善良的男人

母亲是妓女，父亲不明，唯一的哥哥深陷赌博甚至把她卖给了老鸨的韩在熙（朴诗妍饰）从小的愿望就是逃离平民窟。当她跑进姜马陆（宋仲基饰）家的那一瞬间，也深深的跳进他的心里，成为他心中的灯塔。为了心爱的在熙顶罪，马陆从优秀的医学院学生轮为劳教所杀人犯。口口声声承诺“这个债我会用一辈子来还”的在熙还是嫁给了有权势的徐会长。在遭到在熙无情的背叛后，出狱后的马陆决定利用许会长的女儿徐恩琪(文彩元饰）对他们进行报仇。而在报复的过程中马路渐渐发现恩琪只是让自己看起来强势，不可欺负，其实这只是她需要自己保护自己不受伤害。渐渐这个与自己完全不同生活轨迹的男人走进了恩琪心，同时也了解到他和在熙的关系。没来得及告诉恩琪自己心事的马陆患上脑损伤的病症，接受手术以后去了美国。七年后从美国留学归来并成为医生的姜马陆到底有没有因七年前的手术而失忆？他和恩琪的恋情又将何去何从？

王子复仇记

　　丹麦王子哈姆雷特（劳伦斯·奥利弗 Laurence Olivier 饰）的父王某日在花园中离奇死亡，国王的弟弟克劳迪亚斯登上了王位，并娶原王妃即哈姆雷特的母亲为妻。父亲的突然离世，加上母亲的改嫁，使哈姆雷特终日郁郁寡欢。                                                                    　　一天哈姆雷特的好友霍拉旭告诉他，每到子夜时分，城堡高台上会出现一个悲愤抑郁的鬼魂。哈姆雷特便在半夜里来到高台上，与父亲的幽魂相会，他从鬼魂口中得知父王为现任国王克劳迪亚斯所杀。鬼魂要求哈姆雷特向那个篡夺王位、霸占王妃的凶手复仇。背负了复仇任务的哈姆雷特决定用假装发疯的办法来掩饰自己，以窥探克劳迪亚斯的一举一动。然而优柔寡断的他迟迟没有动手杀死叔父，正当他犹豫不决时，一个戏班来到了宫廷。他就安排了一场戏，将国王被害一幕以戏剧形式表演出来。国王和王后的反应，让他证实了这场宫廷阴谋……

恰好是少年番外篇

是一档聚焦原生友情的真人秀，由董子健、刘昊然、王俊凯担任常驻嘉宾。节目通过真实记录三位艺人实现心愿旅途的过程，展开一场原色少年放飞计划。同时希望通过节目中对三位少年旅途中所见所感的描绘，唤起用户对旅行的向往， 怀念重拾少年之心。

陌生的恋人

　　该剧讲述了一场雪崩之后失忆的女小提琴手，在与若即若离的神秘企业家未婚夫即将迎来婚礼的时刻，从重重迷雾中寻找自我和救赎爱情的故事。

格雷斯的履历

　　本作品以日本的美丽风景为舞台，讲述了丈夫驾驶妻子的爱车追寻心灵旅程的故事。因事故失去妻子美奈子(尾野真千子饰)的莲见希久夫(泷藤贤一饰)，知道了她的爱车“grace”上只留下了远离日常生活的地方的履历。希久夫怀疑妻子不贞，为了解开谜团踏上了旅程。他每到一个地方就会挖掘自己尘封的过去，也会触及美奈子的想法。

盲目的丈夫们

Two differences between this Austrian version and the generally available American version are immediately obvious they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the original version　　The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel. (Koszarski)　　From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to speed up the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shotscountershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.

英雄王，为了穷尽武道而转生～而后成为世界最强见习骑士♀～

轻小说《#英雄王，为了穷尽武道而转生#～而后成为世界最强见习骑士♀～》宣布动画化企划进行中！

死于明日

片中的故事均以真实新闻改编而成。每天的日常生活看来并无什么特别之处，但死亡往往就会来得猝不及防，日常生活中的琐碎赋予了生命以价值。在曼谷，朋友庆祝毕业、兄弟姐妹再次相聚、恩爱夫妻面对分离、女演员等待召集...... 这是对命运和生命无常的一种既愉快又忧郁，同时充满哲学性的反思。　　该片由六部分组成，分别讲述了死亡之前平静的一天是怎样度过的。这部作品继承了纳瓦彭之前影片中的混杂实验元素，是一种包含虚构成分的散文电，有音频、图片、记录文件等媒介拓展达到对死亡意义的探索。

巾帼枭雄之谍血长天

故事发生在三十年代的中国，日军的侵略让这片广袤的土地伤痕累累。张寄生（胡杏儿 饰）本是一位平凡的女子，和丈夫周细鸡（萧正楠 饰）新婚燕尔正准备享受幸福的生活。哪知道有朝一日，她竟然眼睁睁的看着亲人和爱人死在了敌人的手中，自己虽然偷生但惨遭侮辱。失去了一切生无可恋的张寄生想到了自我了断，却被游击队队长江尚红（黎耀祥 饰）救下。 　　在如此动乱的年代，张寄生和江尚红之间产生了真挚的感情，可是张寄生无法忘记仇恨，江尚红更是有着一段灰暗的过去，这段感情对于他们两人来说有着无法承受的重量。在江尚红的推荐下，张寄生加入了共产党，化身粤剧花旦“水芙蓉”，暗中套取敌方情报，立下了屡屡战功。

法律的阴影

西班牙惊悚片，背景是1921年的巴塞罗那，无政府主义者和警方之间的动荡未歇，暴乱黑帮，贪腐警察，罢工劳工，女权示威群众，一片混乱之际，又有一车军武在运输途中遭到偷窃，情势犹如一颗炸弹，随意爆炸，一名警员为双方效力，好查出是谁偷了可能点燃内战的军方武器...